![]() However, this process is unfathomably slow and produces artefacts. So it’s always going to look like 24fps even if being played back at 60fps.ĮDIT: If the 24fps source is a video game recording that has all sharp edges and no motion blur, then it’s possible to use optical flow or motion interpolation to achieve the 60fps look. The software would have to literally invent details that don’t exist to remove motion blur, which even if possible, would be very slow to process.īasically, once the motion blur of 24fps is baked into the video, there’s no great way to get it out. I’m not aware of any software that can take the blurry edges of 24fps video and sharpen them to the crispness found in 60fps video. Meanwhile, 60fps footage may use up to a 1/125th of a second shutter, which has much less motion blur and results in cleaner, sharper edges. The major problem is that 24fps footage is usually captured with a shutter speed of 1/48th or 1/50th of a second, which allows a lot of motion blur to creep in. ![]() But I’m not aware of a way to make 24fps look like 60fps. There are techniques like optical flow that can take 60fps and slow it down to 24fps. ![]() This is usually what people want… to freely convert frame rate without impacting the look of the video, because they usually worked hard to get that look. The end result of duplicating frames is that the new video looks nearly identical to the original video. When converting 24fps to 60fps, frames are duplicated in order to pad out the remaining 36 frames per second that weren’t captured due to a 24fps source. Shotcut has already done the best it can do. At the top of this list is the color grading tool, usually only seen in high-end video editing programs.If you want the smooth 60fps look, the video will have to be captured at 60fps. The best part is that these built-in effects mean you don’t have to install plugins. Shotcut includes a range of effects for a video that lift it from the range of beginner freeware to a useful intermediate editing tool. To add a video or audio track, click the three horizontal stripes at the top of the timeline panel, then select Track Operations and your preferred option. If you make a mistake, either hit the undo button or start over by dragging the original clip into the timeline again.ĭragging a new clip to the timeline will place it at the end of your video sequence rather than placing it on a new track. ![]() Repeat this for where you want your clip to end, then delete the unwanted portions.Įditing the clip in the timeline doesn’t affect your source video. When the playhead is at the point you want to insert a cut, hit the Split button or S key. To trim your clip to only the portion you want to use in the video, either move the playhead (the thin vertical white bar topped by a triangle) or click within the black bar at the top of the clip. These are helpful options when working with multiple layers in the timeline, especially when trying to isolate the source of an unwanted sound. On the far left are options to lock, mute, or hide the clip. The source file will appear in the timeline and in the preview window above the timeline. Once you have all of your video and image files in the playlist, drag one down to the timeline panel in the lower portion of the screen to start editing.
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